André Morell
7 Films
André Morell
7 Included Films
From Wikipedia, the free encyclopedia André Morell (20 August 1909 – 28 November 1978; sometimes credited as Andre Morell) was a British actor. He appeared frequently in theatre, film and on television from the 1930s to the 1970s. His best known screen roles were as Professor Bernard Quatermass in the BBC Television serial Quatermass and the Pit (1958–59), and as Doctor Watson in the Hammer Film Productions version of The Hound of the Baskervilles (1959). He also appeared in the Academy Award-winning films The Bridge on the River Kwai (1957) and Ben-Hur (1959), in several of Hammer's well-known horror films throughout the 1960s and in the acclaimed ITV historical drama The Caesars (1968). His obituary in The Times newspaper described him as possessing a "commanding presence with a rich, responsive voice... whether in the classical or modern theatre he was authoritative and dependable." Description above from the Wikipedia article André Morell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: David Lean
Director: David Lean
2022 Sony 4K Blu-ray
2022 Sony 4K Blu-ray Steelbook / (2019? Sony 4K Blu-ray with the mono)
1985 RCA/Columbia Hi-Fi VHS
2022 Sony 4K Blu-ray
2022 Sony 4K Blu-ray Steelbook / (2019? Sony 4K Blu-ray with the mono)
1985 RCA/Columbia Hi-Fi VHS
Director: William Wyler
UHD 5.0 is the original mix, but more muffled than LaserDisc and even the previous Blu-ray's gentle remix. Atmos is revisionist.
1991 LD is Dolby Stereo matrix encoded from the original six track master and this was later upgraded to a 5.1 Dolby Digital version prepared for the first DVD. The 5.1 version may have had some slight tweaking in the process. This was reused for the DVD CE boxset and then the 5.1 on Blu-ray seems like a slight upgrade of the DVD track. (The first pressing from the UCE boxset had audio defects rampant on the BD. These were corrected for standalone pressings.) All 5.1s sound roughly the same as the LD 2.0 in terms of the mix-but the LD PCM mastering seems like the only one that is direct without any major processing. Sadly it only exists in matrix stereo and not in discrete.
The 50th Anniversary box set has some exclusive extras
Director: William Wyler
UHD 5.0 is the original mix, but more muffled than LaserDisc and even the previous Blu-ray's gentle remix. Atmos is revisionist.
1991 LD is Dolby Stereo matrix encoded from the original six track master and this was later upgraded to a 5.1 Dolby Digital version prepared for the first DVD. The 5.1 version may have had some slight tweaking in the process. This was reused for the DVD CE boxset and then the 5.1 on Blu-ray seems like a slight upgrade of the DVD track. (The first pressing from the UCE boxset had audio defects rampant on the BD. These were corrected for standalone pressings.) All 5.1s sound roughly the same as the LD 2.0 in terms of the mix-but the LD PCM mastering seems like the only one that is direct without any major processing. Sadly it only exists in matrix stereo and not in discrete.
The 50th Anniversary box set has some exclusive extras
Directors: Douglas Hickox & Eugène Lourié
Directors: Douglas Hickox & Eugène Lourié
Director: Jack Cardiff
Director: Jack Cardiff
Director: Stanley Kubrick
US Criterion 4K Blu-ray > International WB 4K Blu-ray see caps. While WB has better highlights, Criterion resolves grains better and is believed to have a more accurate color grading.
For Criterion 4K Blu-ray: The better resolution and the subtly adjusted grading paired with HDR makes for a more rounded, fine-tuned experience. The encoding is a leap forward from the Blu-ray as darker shots are no longer a macroblocking mess on the 4K.
Source:
Director: Stanley Kubrick
US Criterion 4K Blu-ray > International WB 4K Blu-ray see caps. While WB has better highlights, Criterion resolves grains better and is believed to have a more accurate color grading.
For Criterion 4K Blu-ray: The better resolution and the subtly adjusted grading paired with HDR makes for a more rounded, fine-tuned experience. The encoding is a leap forward from the Blu-ray as darker shots are no longer a macroblocking mess on the 4K.
Source:
7 films